Deerhoof 'Offend Maggie' (2008)

10 albums and 11 years into things, beloved Bay Area oddballs Deerhoof came close to issuing their definitive LP with the electrifyingOffend Maggie; a set whose back-to-back cuts “Snoopy Waves” and “Offend Maggie” rank as two of their best-ever songs. The disc is business-as-usual for the 'hoof, who've, over the years, somehow managed to convince people their music is simple, silly, and sloppy. Satomi Matsuzaki's yelped, Broken English slogans (like, here: “Bunny jump! Bunny jump! Bunny! Bunny! Bunny Jump!”) seem to obscure the fact that Deerhoof actually play totally scholarly compositions, juggling polyrhythms as their interlocking guitar/drum parts display the kind of nerdy, super-tight complexity you hear on math-rock records.

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New Bloods 'The Secret Life' (2008)

New Bloods are a queer-punk trio from Portland who embody both Kill Rock Stars' past and its future. Openly inspired by original post-punk dames like Kleenex, Au Pairs, and The Raincoats, their gender politics and DIY attitude harkens back to the label's salad days. And, based in the label's new hometown, and playing individualist music of no fixed genre, New Bloods look likely to be a KRS staple heading forward. The band's brittle, barely-held-together racket takes its emotional cues from Osa Atoe's versatile violin, which, in the absence of guitar, forever sets the set's tenor. With each member singing, often over top of each other, The Secret Life shows a band that can be both beautiful and bratty, and sometimes both at once.

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