Discovered by Belle and Sebastian's Stuart Murdoch, Glasgow's Camera Obscura were good enough to wear comparisons to their forebears well. Eight years before the string-swept, hi-fidelity pop grandeur of 2009's My Maudlin Career, the Scottish outfit delivered this tentative, slightly clumsy, intensely melancholy set of classic pop-songs in twee threads. Their debut heralded the arrival of a prime songwriting talent in the form of Traceyanne Campbell, who, across an array of startlingly melodic and perfectly-formed tunes, tossed off lyrical bons mots like “crestfallen boys are boring,” “I don't do crowds,” and “I'm softer than my face would suggest” with a charming kind of studied casualness.
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